VILLA STIBBERT.
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obtained of hill and valley richly cultivated, which once was
devastated by the robber chieftain. The little chapel beside
the Loggia is supposed to occupy the site of Ugo’s Castle, and
within its walls lie buried the remains of the celebrated engraver
Raffaelle Morghen, who died in 1833. His grandfather, a
German, was invited to Tuscany by the Marchese Gerini to
engrave the works of the Florentine artists in the Pitti Gallery.
Raffaelle Morghen was born in Florence in 1758, and earned
for himself a name, as the first engraver of his time.
The grounds round the Villa Stibbert combine English
taste for order with the usual elegance of the Italian garden,
consisting of terraces decorated with lovely busts amidst the
luxuriant growth of a southern vegetation. Within the villa
there is a most rare and remarkable collection of armour, which
Mr. Stibbert allows to be seen on certain days to those who can
obtain a card of admission through his personal friends.
Descending a few steps from the entrance hall into a vast
saloon with a vaulted ceiling, the visitor finds himself surrounded
by figures of men in various postures, and of horses with their
riders in full armour. They represent different periods of
Italian and German history. Numerous swords and other
weapons, horses’ bits of singular construction, banners, &c.,
decorate the walls, which are painted with coats of arms and
other devices in a low tone of colour. Some precious relics
are under glass on tables in the middle of the room. In
the centre is a horse and man fully equipped for the tourna¬
ment ; to the right a red-bearded figure wears the armour of the
Emperor Maximilian, the letzte Ritter of the Germans ; he has
on a kilt of crimson and green velvet striped with black and
gold, the Austrian colours ; and broad ribbons of crimson and
green are crossed over his breast.
One very rich coat of mail inlaid with gold belonged to a
Visconti of Milan. In a recess to the left, a rider comes forth
clad in the armour of one of the Guadagni family. Six cavaliers,
three on each side, guard the farther entrance to this saloon.
VOL. II.