CHIESA DI S. LORENZO.
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to the edifice, by artists and architects of great name. The
ornaments, with thetwo elevations of the doors ofthe Sacresty,
are by Donatello; the terrace at the lower end of the church
is attributed to M. Buonarroti, as well as the lateral entrance
corresponding to the left nave, and the architecture of the
new sacresty and of the Library Laurenziana, as henceforth
we shall speak of. The altars of the chapel, and some other
works, which cannol be confounded with the Brunelleschi
architecture, are modern.
By Brunelleschi is the design of the cloister, where the
statue of Paolo Giovio is, sculptured by Francesco da S.
Gallo.
Paintings and Sculptures in Church. — The Visitation, A.
Veracini. — The Marriage of the Madonna R. Fiorentino. -S. -
Lorenzo, Niccola Lapi. — The Assumption, Unknown.
— Christ on the Cross, S. Jerome, S. Francis and S. Mary
Magdalene, O. Dandini. — S. Jerome in the Desert, G. Masini. -
— The monument of the artists Benvenuti: The marble
bust, Thorwaldsen: the bas relief, Costoli. — The bas reliefs
in bronze and in wood on the pulpit, were executed by Donatello, -
and Bertoldo his scholar. — They are beautiful, for
the exquisite exactitude of the work. — The Nativity of Jesus -
Christ, Cosimo Rosselli.— The marble tabernacle, by Desiderio -
da Sellignano.
Sagrestia Nuova, (new Sacresty). — This chapel of a quadrangular -
form was constructed by Michelangiolo; it contains
corinthians pilasters with beautiful capitals ornamented with
trophies and masks by Silvio da Fiesole, a very celebrated artist -
for this kind of work. — On the right hand the mausoleum
of John dei Medici Duke of Nemours, sculptured by Michelangiolo: -
The statue of the Duke in his military uniform is
placed in a niche, beneath which is the sepulchre surmounted
by two statues representing Day and Night. — Before this
mausoleum, on the opposite side, is that of Lorenzo dei Medici
Duke of Urbino, with two similar figures representing Morning -
and Evening, sculptured by Michelangiolo. — The archidecture -
of the altar, Michelangiolo. — The Madonna and the