110
GALLERIA PITTI.
Paggi. — 254. The Holy Family, Palma il vecchio. — 255. Por¬
trait of man, Van-der-Helst.—256, The decease of S. Mary the
Egyptian, Pietro da Corlona.— 257. The sybil revealing the
mistery of incarnation to Augustus, Paris Bordone. — 258.
Portrait of a man, Tinelli. — 259. The head of Our Saviour,
Correggio. — 260. Portrait of a female, unknown. — 261. The
head of the Virgin, Baroccio. — 162. Portrait of a man, un¬
known. — 263. Jesus Christ on the Cross, School of Bronzino.
— 264. The resurrection of Our Lord, Tintorelto. — 265. S.
John the Baptist, Andrea del Sarto. — (*) 266. The Virgin and
Child, Andrea del Sarto. — 267. Portrail of a Boy, Paolo Ve-
ronese. — 268. Another portrait, Idem. — (*) 270. S. Andrea
before the Cross, Carlo Dolci. — 271. S. Sebastian, Unknown.
— 272. The portrait of Matthew of Medicis, Substermans. —
273. Portrait of a female, Unknown.— 274. Portrait of a man,
Idem.— 275. S. Carlo Borromeo, Carlo Dolci.—276. S. Louis
the king of France, Idem.—277. The Portrait of the Princess
Lucretia Medicis, Bronzino. — 278. S. Peter delivered from
the prison, Albano. — 279. The portrait of Don Garcia of Me¬
dicis, Angiolo Bronzino. — 280. S. Rocco, Carlo Dolci. — 281.
S. Nicholas of Tolentino, Idem. — 282. Holy Family, School
of Van-Dych. — 283. Portrait of a girl, Unknown. — 284. Holy
Family, Giovanni Van-Ahen.
Hall of the Stove.
The frescoes of the four partitions of this hall are by Pie¬
tro da Cortona, they represent the four ages of the world.—
The golden age is represented by boys playing and giving
themselves up to innocent delights.—The silver age is repre¬
sented by young shepherds occupied at their labours. The age
of copper is symbolized by soldiers showing to a Dictator the
wounds by them received in battle, whilst they obtain the re-
wards of their courage. — The age of iron is represented by
soldiers sacking a town of which they are killing the inhabi¬
tants.
The vault frescoes are by Matteo Rosselli in 1622.— In