202 
PAINTINGS 
in Lanzi’s Storia pittorica. It is doubtful how this 
painting has ever come to belong to this Gallery. 
On canvas. Dim. fig. 
1138. CRANAK Lucio, of Cranack. B. 1472, D. 1553. 
Eve. Standing and holding the apple. 
The same 
size than Adam. (N.“ 1142). 
Bearing the author's 
monogram and the date 1528. 
On wood. Life size. 
1141. DURER Albert, of Norimberg 
The Adoration of the Kings. 
The Holy Virgin is 
sitting by a cottage, holding her Divine Child on her 
lap. The three kings are before her in adoration. A 
long train of servants and animals is seen in the di- 
stance. 
This painting once belonged to the Imperial Gallerv 
of Vienne, and was brought to Florence in 1793. 
bears the monogram of the author with the date 1504. 
On wood. Half life size. 
1128. DYCK (Anthony Van). 
Portrait of Charles V. A figure in full length, in 
armour, on the back of a white steed. An eagle is 
hovering and bearing a laurel wreath over is head. 
It belongs to the Gallery since 1804. — On canvas. 
Life size. 
1116. TIZIANO. 
Portrait of Monsignor Beccadelli, of Bologna; sitting 
on an arm-chair and holding a paper, on which one 
reads: JULIUS P. P. III. « Venerabli Fratri Ludo- 
vico Episcopo Rauellen, apud Dominum Venetorum 
nostro et Apostolicae sedis Nuntio, cum annum age¬ 
red LII. Titianus Vecellius faciebat, Venetiis M. D. 
L. Il mense Julii. » And a little lower, with the same 
writing: Translatus deinde M. D. L. V. die XVIII 
Septembris a Paulo quarto Pont. Maximo ad Archiepi¬ 
scopatum Ragusianum, quo pervenit die IX Decembris 
proxime subsequentis. » — 
This portrait was then exe¬ 
cuted in 1552 while Monsignor Beccadelli was in Ve- 
nice as a papal legate. — On canvas. Life size. 
1142. CRANACK Lucas. 
Adam. — See N." 1138. Dated 1528.