HALL OF BAROCCIO 
131 
167. BRONZINO Angelo. 
Portrait of a woman, in a black dress, holding a 
cameo in her right hand. A statuette, behind the figure, 
on a table. — On wood. Life size. 
155. UNKNOWN. Tuscan school. 
Portrait of the benedectine monk Theophilus Folengo, 
better known under the name of Merlino Coccai, on 
account of his celebrated burlesque poem. — 
A half 
length, life size figure, painted on wood. 
201. UNKNOWN. 
A young man. — On canvas. Life size. 
202. UNKNOWN. 
The Virgin and Child. — 
Half length. Life size. 
On canvas. — Brought to this Gallery in 1862. 
214. LIPPI Lor nzo. B. 1606, D. 1664. 
St. Catharine. Half length. An oval painting, on 
canvas. — Life size. 
Discovered in the store-rooms of this Gallery in 1861. 
218. LIPPI Lorenzo. 
St. Agatha. — 
The same shape and size of N.r 214. 
On canvas. Life size. 
221. CARDI Lodovico, of Cigoli near Firenze, called il Cigoli. 
B. 1559, D. 1613. 
St. Francis. — Half length. On canvas. Life size. 
220. SNYDERS (or Sneiders) Francis, of Antwerp. B. 1579. 
D. 1657. 
The Boar Hunt. The boar is assailed by two hunters 
armed with pitch forks, and by a set of hounds, some 
of which have been repulsed and wounded. 
This painting is in a perfect state of preservation, 
and is one of the best works of this celebrated painter 
of animals. It was brought from Vienna in 1821. 
On canvas. Life size. 
222. ALBANO Francesco, of Bologna. B. 1578, D. 1660. 
The infant Jesus in the midst of Angels who offer 
him the instruments of the Passion. A circular paint¬ 
ing. 
On canvas. Dim. fig.