209 
HALL OF LORENZO MONACO 
artist which has been preserved to our time. It was 
painted in 1413 for the high altar in the church of the 
Monastery called degli Angeli to which Don Lorenzo 
belonged; but about the end of the sixteenth century it 
was removed from that place, and people then believed 
it lost, until it was found again in 1830 in the Abbey 
of San Pietro at Cerreto near Certaldo, by the commen 
tator of Vasari, in an artistic journey in Val d’Elsa. 
This splendid master piece contains more than a hun- 
dred figures. It was brought to this Gallery in 1866, 
and restored under the direction of Signor Ettore Franchi. 
H. m. 5,15 — L. m. 4,48. 
1544. CAPORALI Bartolommeo, of Perugia, b. 1420, d. 1499. 
The Virgin with the Infant Jesus. The Virgin sur- 
rounded from four Angels holding the Infant on his 
knee. — On wood. Half life size. 
H. m. 0,77 — L. m. 0,56. 
64. ANGELICO (School of). 
The Virgin with her Son around from Angels. 
Life size. 
This painting was carried to the Gallery in the year 
1900 from the Hospital of Santa Maria Nuova. — On 
wood. Half life size. 
H. m. 1,18 — L. m. 1,04. 
41. LORENZO MONACO. 
Triptyck. In the middle is the Virgin sitting on a 
throne with the divine Infant standing on her lap in 
the act of blessing. Behind the throne stand two an¬ 
gels in adoration. Right and left St. John the Baptist, 
St. Bartholemew, St. Taddeus and St. Benedict. In the 
three other compartiments is the Saviour, the Angelical 
Messenger and the Virgin. Under the Madonna the words: 
« Ave gratia plena Dominus tecum. An. D. MCCCCX. » 
On wood. Life size. 
This painting was formerly in the subterranean ora¬ 
tory of the church of Monte Oliveto near Florence. 
H. m. 2,77 — L. m. 2,62. 
23. MARTINI Simone and MEMMI Lippo, of Siena. — Simone 
b. in 1285, d. 1344.. Lippo, b. ...., d. 1357. 
The Annunciation. — This painting, with the two 
14-Eng.