207 
TUSCAN SCHOOL 
56. BALDOVINETTI 
Alessio, of Florence, b. 1422, d. 1499. 
— This picture which was origi¬ 
The Annunciation. 
nally painted for the church of St. Giorgio sulla Costa 
in Florence, was believed to be lost, when it was di¬ 
scovered in the adjoining Monastery. It was brought 
to the Gallery in 1868. — On wood. Life size. 
H. m. 1,68 — L. m. 1,36. 
64. ROSSELLI Cosimo (School of). 
The Madonna and Child. On each side of the chair 
is an angel. St. Anthony and St. Nicholas. — On wood. 
H. m. 1,51 — L. m. 1,85. 
20. ANDREA and JACOPO ORCAGNA. 
St. Matthew. — Large altar in three compartments. 
In the middle on gold ground, St. Matthew is represented 
at full length, life size. In the lateral compartments 
are painted in small size episodes in the life of the saint. 
- On wood. 
H. m. 2,55 — L. m. 2,50. 
60. BALDOVINETTI Alessio. 
The Holy Virgin seated and holding the Infant Sa¬ 
viour, attended by several Saints. On her right St. John 
the Baptist, St. Cosmus, St. Damian, and St. Francis 
kneeling: on the left St. Dominic kneeling. 
This picture hung formerly in the chapel of the royal 
villa of Cafaggiolo, and was brought to this Gallery 
in 1796. — On wood. Half life size fig. 
H. m. 1,73 — L. m. 1,67. 
61. PIER DELLA FRANCESCA (School of). 
The Resurrection with landscape back-ground. — On 
wood. Half life size. 
H. m. 1,59 — L. m. 1,56. 
(IN THE MIDDLE OF THE HALL) 
3441. PACCHIA (Girolamo Del), of Sienne, b. 1477, d. 1535. 
The Holy with the Divine Son and St. John. 
H. m. 0,87 — L. m. 0,87. 
1290. BEATO ANGELICO. 
The Coronation of the Virgin. A splendid composi¬ 
tion of many figures representing Saints, gatered around 
a central group consisting of the figure of our Lord in