300 
Cellar, wine, 14, 143; oil, ib. 
Callæschrus, an Athenian archi- 
Cement, 12, 20, 39, 42, 45 ; of 
tect, 155. 
flint, 200; marble, 168. 
Callias, an architect of Rhodes, 
Centre, 64, 154, 222. 
264, et seq. 
Cephisus, river, 189. 
Callimachus, an architect named 
Ceres, temples of, 27, 68, 156. 
Catatechnos, 82. 
Cerostrata (doors inlaid), 94. 
Callippus, an astrologer, 219. 
Cetras, of Chalcedon, 258. 
Camillum, 252. 
Chæræas, 258. 
Camœnæ, 184. 
Chalcidica, 102. 
Campania, 42, et seq., 58, 189, 
Chaldeans, 212, 219. 
190. 
Chalk, Selinusian, 176 ; green, 
Candelabra in houses, 166. 
169. 
Canon in hydraulics,  uo- 
Chambers (cubicula), 11, 140. 
guòg, 247. 
Channel, groiä, 159, 164, 196, 
Canopus, constellation, 219. 
252, 260; in Ionic columns, 
75, 87; 
Capital, of a column, 
75; in the catapult, 252. 
Corinthian, 82, et seq., lonic, 
Channels (columbaria), 243. 
80; in machines, 254; Cata- 
Charidas, 155. 
tonum, 253. 
Chariot-body, 249. 
Capitol, 34, 69. 
Cheek, of the chest, in the 
Cappadocia, 188. 
balista, 256. 
Capstan, 235. 
Cheeks (chelonia), 236, 239. 
Carbunculus, a kind of sand, 
Chelo, or manucla, 252. 
42. 
Chelonium, or pillow, 233, et 
Carchesia, or tracheli, in the 
seq. 236, 253. 
catapult, 253. 
XnAög, in the balista, 256. 
Cardinales scapi, 94. 
Chest, 247, 256. 
Caria, 47, 61, 81. 
Chion, a Corinthian statuary, 62. 
Carians, 48, 81. 
Chionides, the comic poet, 128. 
Carpion, 154. 
Chios, 81, 153, 266 ; fountain 
Carthage, 187. 
of, 191. 
Carthaginians, 258. 
Chips, of marble (assulæ), 168. 
Carya, 4. 
Choice, of salubrious places, 14 ; 
Caryatides, ib. 
of places for the common use 
Casium, 187. 
of the city, 26. 
Castor, temple of, 97. 
Chorobates, in levelling, 195. 
Catapult, on the, 6,251, 254, 255, 
Chorus, in theatres, 117. 
257. 
Cataracts of the Nile, 183. 
Catatonum, capital, 253. 
Catheti, vertical lines, Käberog 
ui, 74. 
Caucasus, Mount, 183. 
Caulicoli (stalks), in capitals, 83, 
166. 
Caurus, wind, 22. 
Causis, a mode of painting, 172. 
Cavetto, upper and lower, 74. 
Cavities, in a theatre, 109. 
Ceilings, 160, 138. 
Cell, in temples, 66 et seq., 91 
et seq., 95 et seq. 
Xóua, 107. 
Chromatic modulation, 107,108. 
Chrysocolla, 168, 172. 
Cicero, 207. 
Cilbian Fields, of the Ephe¬ 
sians, 170. 
Cilicia, 187, et seq. 
Circle, 23. 
Circular application of motion, 
EVRAI) kivyoig, 231, circular 
walk, öiavlog, 122. 
Circumstance (statio, Seuario- 
uòc), adds to the beauty of 
a work, 10; of the Greeks, 50.