300
Cellar, wine, 14, 143; oil, ib.
Callæschrus, an Athenian archi-
Cement, 12, 20, 39, 42, 45 ; of
tect, 155.
flint, 200; marble, 168.
Callias, an architect of Rhodes,
Centre, 64, 154, 222.
264, et seq.
Cephisus, river, 189.
Callimachus, an architect named
Ceres, temples of, 27, 68, 156.
Catatechnos, 82.
Cerostrata (doors inlaid), 94.
Callippus, an astrologer, 219.
Cetras, of Chalcedon, 258.
Camillum, 252.
Chæræas, 258.
Camœnæ, 184.
Chalcidica, 102.
Campania, 42, et seq., 58, 189,
Chaldeans, 212, 219.
190.
Chalk, Selinusian, 176 ; green,
Candelabra in houses, 166.
169.
Canon in hydraulics, uo-
Chambers (cubicula), 11, 140.
guòg, 247.
Channel, groiä, 159, 164, 196,
Canopus, constellation, 219.
252, 260; in Ionic columns,
75, 87;
Capital, of a column,
75; in the catapult, 252.
Corinthian, 82, et seq., lonic,
Channels (columbaria), 243.
80; in machines, 254; Cata-
Charidas, 155.
tonum, 253.
Chariot-body, 249.
Capitol, 34, 69.
Cheek, of the chest, in the
Cappadocia, 188.
balista, 256.
Capstan, 235.
Cheeks (chelonia), 236, 239.
Carbunculus, a kind of sand,
Chelo, or manucla, 252.
42.
Chelonium, or pillow, 233, et
Carchesia, or tracheli, in the
seq. 236, 253.
catapult, 253.
XnAög, in the balista, 256.
Cardinales scapi, 94.
Chest, 247, 256.
Caria, 47, 61, 81.
Chion, a Corinthian statuary, 62.
Carians, 48, 81.
Chionides, the comic poet, 128.
Carpion, 154.
Chios, 81, 153, 266 ; fountain
Carthage, 187.
of, 191.
Carthaginians, 258.
Chips, of marble (assulæ), 168.
Carya, 4.
Choice, of salubrious places, 14 ;
Caryatides, ib.
of places for the common use
Casium, 187.
of the city, 26.
Castor, temple of, 97.
Chorobates, in levelling, 195.
Catapult, on the, 6,251, 254, 255,
Chorus, in theatres, 117.
257.
Cataracts of the Nile, 183.
Catatonum, capital, 253.
Catheti, vertical lines, Käberog
ui, 74.
Caucasus, Mount, 183.
Caulicoli (stalks), in capitals, 83,
166.
Caurus, wind, 22.
Causis, a mode of painting, 172.
Cavetto, upper and lower, 74.
Cavities, in a theatre, 109.
Ceilings, 160, 138.
Cell, in temples, 66 et seq., 91
et seq., 95 et seq.
Xóua, 107.
Chromatic modulation, 107,108.
Chrysocolla, 168, 172.
Cicero, 207.
Cilbian Fields, of the Ephe¬
sians, 170.
Cilicia, 187, et seq.
Circle, 23.
Circular application of motion,
EVRAI) kivyoig, 231, circular
walk, öiavlog, 122.
Circumstance (statio, Seuario-
uòc), adds to the beauty of
a work, 10; of the Greeks, 50.