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ART  and  NATURE
Key  at  the  other;  and  found  it  less  than
the  third  Part  of  a  GrainWe -
  are  told,  that  one  OSWALD  NErLINGERI -
  made  a  Cup  of  a  Pepper-Corn,
which  held  twelve  hundred  other  little  Cups,
all  turnéd  in  Ivory,  each  of  them  being  gilt
on  the  Edges,  and  standing  upon  a  Foot:
and  that,  so  far  from  being  crouded  or  wanting. ¬
  Room,  the  Pepper-Corn  could  have  held
four  hundred  more.
Theſe  are  ſome  of  the  niceſt,  moſt  curious
and  surprizing  Works  of  Art;  but  let  us
examine  any  of  them  with  a  good  Microscope, ¬
  and  we  ſhall  immediately  be  convinced,
that  the  utmoſt  Power  of  Art  is  only  a  Concealment ¬
  of  Deformity,  an  Imposition  upon
our  Want  of  Sight;  and  that  our  Admiration
of  it  arises  from  our  Ignorance  of  what  it
really  is.
This  valuable  Discoverer  of  Truth  will
prove  the  most  boasted  Performances  of  Art
to  be  as  ill-ſhaped,  rugged,  and  uneven,  as
I  have  ſeen  ſince  my  writing  the  above,  (made  by  the
same  Artist)  a  Quadrille  Table  with  a  Drawer  in  it,  an
Eating  Table,  a  Side-board  Table,  a  Looking  Glaſs,  twelve
Chairs  with  Skeleton  Backs,  two  Dozen  of  Plates,  six  Dishes,
a  Dozen  Knives,  and  as  many  Forks,  twelve  Spoons,  two
Salts,  a  Frame  and  Castors,  together  with  a  Gentleman,
Lady,  and  Footman,  all  contained  in  a  Cherry-Stone,  and
not,  filling  much  more  than  half  of  it.
Epbem.  German.  Tom.  I.  Addend.  ad  Observ.  13.
if